世界人居

U.N.I.D所倡导的设计,首先需要回归空间的性格,当它已经足够可以带来体验,设计的工作就变得没有那么强烈,在我们看来甚至是多余的。

场所中的精神内核,来自于空间中的独立岛台,我们将它视作到达未来的装置入口。

The spiritual core of the place comes from an isolated island in space, which is taken by us as the entrance to the future facilities.

The design advocated by U.N.I.D first needs to return to the character of space. When it is enough to bring the experience, the design work becomes less intense, which becomes even redundant in our view.

场所中的材料,采用建筑剩余材料制作完成,这让它有了内在的生命基因,从而实现完整独立的精神意义。

The materials in the site are made of the surplus materials of the building, which gives it the inherent life genes to achieve a complete and independent spiritual significance.

不使用多余的设计方法,甚至色彩表现。让空间变得缓慢、老旧、粗犷。从而使场所精神的力量更接近人的情绪释放,我们把这种情绪理解为未来的孤立感。

“临时性”的美感是相对的,是与场所使用过程显现的感受形成的悖论。

与常规认知的空间舒适感相悖,使人的沟通和场所向外的情绪张力最大程度地体现出来。

Not using the redundant design methods or even color performance makes the space slow, old and rough. Therefore the power of the place spirit is closer to the release of people's emotions, which we understand as the emotion of isolation in the future.

The beauty of “temporary” is relative and is a paradox formed by the feelings that appear in the use of the place.

Contrary to the spatial comfort of conventional cognition, the external emotional tension of the human communication and the place is maximized.

在设计过程中,U.N.I.D对材料的理解很直接,最大限度地使用多余和可降解的废置材料,不影响建筑结构的涂装,灵活的场所组织机能,体现我们对隐性不自然状态的思考,这让最终呈现出的场所有了自然显性的表达--人、物、域的重叠共生。

In the design process, UNID’s understanding to materials is straightforward, maximizing the use of redundant and degradable waste materials, does not affect the painting of the building structure, the flexible site organization ability, reflecting our thinking about hidden and unnatural conditions. This allows the final presentation of the place to have a natural dominant expression - overlapping symbiosis of people, things and domains